Every exhibition begins long before the opening. Before photographs are installed on walls, before visitors enter the exhibition space, and before conversations unfold around the works, there is a quieter stage of the process: production. During my residency in Nigeria, the printing phase became a decisive moment in the development of Fela, The Feminine Resistance . After weeks of field research in Lagos—walking through the city, consulting archives, visiting museums, recording voices, photographing everyday life, and collecting fragments of memory—the images gradually began to leave the screen and take on a physical presence. Printing is never a purely technical operation. It is a continuation of the artistic process. Every choice—the paper, the scale, the tonal balance, the texture—shapes the way an image will be experienced. A photograph changes once it becomes an object. It acquires weight, surface, and presence. The Fine Art prints produced for this exhibition carry traces of the ...